摘要：100留學雅思小編給考生們帶來了劍14Test2雅思閱讀Passage1原文翻譯：Alexander Henderson。希望幫助考生對照文本更好的研究真題，充分備考，爭取理想成績，實現留學夢想。相應的原文答案解析，請點擊：劍橋雅思14Test2閱讀Passage1答案解析 。

劍14Test2雅思閱讀Passage1原文

Alexander Henderson (1831-1913)

Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer

Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant.His grandfather, also called Alexander, had founded the

family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its

residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large

mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the

streams nearby.

Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a

three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In

October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.

Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of

the Scottish- Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on

experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art

Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.

In spite of their friendship, their styles of photography were quite different.While Notman's landscapes were noted for their bold realism,Henderson

for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical

progress was rapid and in 1865 he published his first major collection of landscape photographs.The publication had limited circulation (only seven copies

have ever been found), and was called Canadian Views and Studies.The contents of each copy vary significantly and have proved a useful source for evaluating

Henderson's early work.

In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped

portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are

alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land,

cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade,

steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the

time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to

this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.

Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with

greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and H T Anthony and Company for landscapes using the

Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.

In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many

of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He

went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the

lower St Lawrence River region, he took some photographs of the construction of the lntercolonial Railway. This undertaking led in 1875 to a commission from the

railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In

1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.

In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties

included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as

Victoria. He continued in this post until 1897, when he retired completely from photography.

When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at

the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.

劍14Test2雅思閱讀Passage1翻譯

Alexander Henderson (1831-1913)

Henderson出生于蘇格蘭，1855年移居至加拿大，成為著名的風景攝影師

Alexander

Henderson1831年出生于蘇格蘭,是一位成功商人的兒子。他的祖父也叫Alexander,建立了家族企業,之后成為蘇格蘭國民銀行的第一任主席。整個家族在蘇格蘭擁有大量土地。除了在愛丁堡的住宅外,還在該市東南方向約35英里外擁有名為

PressEstate的650英畝農田。他們有時也住在 Press estate北部邊緣處的一座名為 Press Castle的公館,

Alexander在那兒度過了大部分的童年時光:在臨近艾茅斯的海灘玩耍,或者在附近的溪流里釣魚。

甚至在進入愛丁堡郊區的 Murcheston學院讀書后, Henderson周末也會回到

Press。1849年,他開始了為期3年的學徒生涯,成為一名準會計師。雖然他從未喜歡過經商,但為了讓家人高興,他仍堅持學習。然而,在1855年10月,他和妻子

Agnes Elder Robertson移居加拿大,并在蒙特利爾定居。

大約在1857年, Henderson在蒙特利爾學習攝影,并很快成為一名狂熱的業余愛好者。他成為蘇格蘭裔加拿大攝影師 William

notman的私人好友和同事。1860年,他們進行了一次到尼亞加拉大瀑布的攝影之旅;1865年,他們共同試驗將鎂粉照明作為人造光源。他們參加相同的協會,并成為蒙特利爾藝術協會的創始成員。

Henderson作為主席主持了這個協會的第一次會議,該會議于1860年1月11日在 Notman的工作室舉行。

盡管他們是好友,但兩人的攝影風格大相徑庭。 Notman的風景攝影因大膽的現實主義而聞名,而

Henderson前20年拍攝的作品充滿浪漫氣息,展示了英國風景攝影傳統的強烈影響。他在藝術性和技術性上進步很快,并于1865出版了第一部大型風景攝影作品集。此作品集發行量有限(迄今只找到7本),名為《加拿大風景與研》每一本的內容都迥然不同,這是評估

Henderson早期作品的有用來源。

1866年,他放棄經商,開辦了一間攝影工作室,把自己宣傳成人像與風景援彩師。大約從1870年起,他放棄了人像攝影,專注于風景攝影和其他景觀攝影。他拍攝的大量城市生活照片展現了人們在街道、房屋和集市中的活動,栩栩如生。盡管他最喜歡的是拍鳳景,但他經常拍攝人們在田間耕種、在河上破冰或者在林間溪流中劃船的照片。人們對他拍攝的木材交易、汽船和瀑布等類型的照片需求很大,因此他能以此謀生。在19世紀80年代晩期之前,很少有攝影愛好或業余攝影的競爭,因為攝影技術需要時間來練習,并且攝影設備很重。人們希望購買攝影照片作為旅行的紀念品或禮物,而為了迎合這種市場,Henderson將照相館中的庫存照片展示出來以供裝裱、鑲框或制成影集。

Henderson時常在蒙特利爾和其他國外城市如倫敦、愛丁堡、都柏林、巴黎、紐約和費城展出攝影作品。1877年和1878年,他在紐約獲得更大的成功,當時他以

Lambertype攝影法在 E and H T Anthony and

company舉辦的風景攝影展中榮獲第一名。1878年,他的作品在巴黎世界展覽中贏得第二名。

19世紀70年代和80年代,

Henderson廣泛游歷了加拿大的魁北克省和安大略省,用影像記錄了兩省主要城市和魁北克省的許多村莊。他格外喜歡原野,經常乘獨木舟漂流在白河、野兔河和其他著名的東部河流上。他去過加拿大濱海諸省好幾次,1872年,他曾乘游艇沿圣勞倫斯河下游的北部沿岸航行。同年,在圣勞倫斯河下游地區,他拍攝了幾張殖民地際鐵路的施工照。他的這一舉動促使鐵路方委托他拍攝記錄蒙特利爾和哈利法克斯之間幾近完工的鐵路線的主要結構。隨后,其他鐵路的類似任務接踵而至。1876年,他拍攝了連接蒙特利爾和渥大華的魁北克一蒙特利爾一渥大華一西部鐵路的橋梁。1885年,他沿加拿大太平洋鐵路向西直到不列顛哥倫比亞省羅杰斯隘口,沿途拍攝了一些山脈和工程進度的照片。

1892年,

Henderson接受了加拿大太平洋鐵路公司提供的全職工作,擔任由他成立和管理的攝影部門的經理一職。工作職責要求他每年在野外待4個月。那年夏天,他第二次西行直到維多利亞市,沿途拍攝了大量鐵路沿線的照片。他一直擔任這個職位直到1897年從攝影界完全退休。

1913年,

Henderson去世時,他家的地下室里儲存了他的大量玻璃底片。如今他的作品集保存在位于渥太華的加拿大國家檔案館和位于蒙特利爾的麥考得加拿大歷史博館。

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